Avion en papier
Origami Instructions Free Online Diagram also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
By this I mean that we no more have a shut system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well established for Origami.
Kent du Pre has done Origami Flower Vase such work on Symmetric figures such as stars from which flowers can be folded. Irregular figures have appeared occasionally, but the most extreme form only occurs in Paper Wonder with Rolf Harris's models. Silhouettes have no restrictions in the Origami sense and are of course strongly related to paper cutting. In its simplest form cuts are made before to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive density. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Uchiyama Avion En Papier Dessin is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve ears or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to give enough points for the hip and legs. Rohm folded his Circus pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the Bateau En Papier Dessin other to avoid the complexities of a model achieved exclusively by folding.
Within a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling It is now usual in animal folds to call for a final modelling particularly when foil has already been used and one can be certain of the material remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modelling following the folding The technique of wetting the paper is apparently Japanese in origin was demonstrated by Yoshizawa at a Convention in Luton. Another method of wet moulding using paste in the preparation is talked about by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The retracts tend to be gentle and we are approaching figurine rather than Origami.
Bateau en papier
Typically the associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The particular sheets of paper are folded together but usually opened at the end to show the multi-layers usually with different colors. In flower folding and possible doll-making the multi-layer strategy is exploited for its own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of paper each folded to symbolize some part of the pet and then brought together. The concept may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Wonder. Recently kits have came out for folding a monster from a quantity of pieces of different sizes.
Comment faire un avion en papier
In the most extreme combos of Mon Bateau De Papier Jean Humenry Paroles water and paper we are, of course , in the world of fun which is obviously an open-ended art. DecoratingThe simplest step from a single color is one side colored and one white or plain. A great package of modern Origami intrusions this colour difference. The delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs Origami Paper Size in Japanese papers which are already printed with a design ideal for a unique model. The end of this process is evidently the decoration of the final model and so into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then bow and finally string.
Fleur en papier
The cutting out of holes and so on. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously coping with approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called
this kind of paper-craft Mon-Kiri (which means crest-making). Typically the last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and obviously here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its most basic form organic beef use stuff, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or card. The most unusual form of 'display mechanics' that I actually am knowledgeable about is by Toyoaki Kawai.